Posts tagged design

I am very happy to show off the Eclipse family of airless cosmetic packaging that I designed. They come in 15ml, 30ml, and 50ml sizes. I am very excited for these babes to be hitting the market. Here they are on Fusionpkg.com as well as in this month’s Package Design Magazine. - Alexander Kwapis

It took some heavy thinking to make shoes this light. Experience the journey to Nike Flyknit technology:

It started in the mind of a free spirit. Then it became a tangle of sketches. Then it became the new Nike Free Run+. Mark Miner and his creative process are as uninhibited as the Nike Free collection he designed. Get a glimpse at what happens before an idea becomes reality.


Orange pitches Glastonbury Solar Concept Tent


Orange today revealed their vision for the tent of the future. Utilising cutting edge eco-energy technology, the Orange Solar Concept Tent will allow campers to keep in touch and power their essential camping gadgets.
The Concept Tent has been designed in association with American product design consultancy Kaleidoscope and builds on learnings from the original Orange Solar Tent that was trialled at Glastonbury in 2003, as well as 2004’s Orange Text Me Home Dome. Having worked closely with Glastonbury for the last eleven years, Orange know the importance of keeping in contact with friends while onsite and undertook this concept project to look at how the festival goers communication and power supply needs might be met in the future.
Click here to see all the cool gadgets this thing has. 

Orange pitches Glastonbury Solar Concept Tent

Orange today revealed their vision for the tent of the future. Utilising cutting edge eco-energy technology, the Orange Solar Concept Tent will allow campers to keep in touch and power their essential camping gadgets.

The Concept Tent has been designed in association with American product design consultancy Kaleidoscope and builds on learnings from the original Orange Solar Tent that was trialled at Glastonbury in 2003, as well as 2004’s Orange Text Me Home Dome. Having worked closely with Glastonbury for the last eleven years, Orange know the importance of keeping in contact with friends while onsite and undertook this concept project to look at how the festival goers communication and power supply needs might be met in the future.

Click here to see all the cool gadgets this thing has. 

Watch Mark Miner, senior Nike footwear designer, explain the innovations that went into the reinvention of the iconic Nike Free Run+. The collection doesn’t just look different—the shoes move differently too.

Gimmicky might get a one-time buy, but if it doesn’t work they won’t repurchase and they will likely blog, video post or tweet about it.
Alexander Kwapis, creative director, Fusion Packaging

How Aston Martin Builds the Gorgeous One-77 Supercar

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GAYDON, United Kingdom — Henry Ford created a monster.

The mastermind of mass production gave rise to the modern automobile industry by perfecting the art of building cars quickly and cheaply. In 2010, Ford’s assembly line concept was responsible for the nearly 78 million vehicles that rolled out of the world’s factories that year. That’s more than 213,000 new cars produced each day — kinda makes your Camry feel a little less special, doesn’t it?

Though Aston Martin’s typical assembly process involves a “line,” it doesn’t exactly churn out cars ad infinitum. It took 70 years for the British firm to sell its first 10,000 vehicles. Even today its elegant creations remain handmade by a small army of workers at the company’s headquarters in Gaydon, nestled on the edge of the idyllic Cotswolds region in the British countryside.

But when Aston set out to build its radical One-77 flagship, it stepped away from its main manufacturing facility and constructed a small structure where it turned the assembly line concept upside down. Rather than move the car along a line as it’s constructed, there are seven workstations where craftsmen and parts revolve around each vehicle. The setup hews more closely to the golden age of bespoke coachbuilding than the brave new world of hyper-efficient mass-production.

Above: Pretty in white, a finished One-77 awaits final testing. Photo: Nick Dimbleby

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The One-77 is Aston Martin’s ambitious campaign to simultaneously distill the company’s purest essence into one vehicle and re-establish a stratospherically high standard for the nearly century-old brand.

“We had amassed all of this intellect and understanding, and really wanted to show our capabilities to the world,” designer Marek Reichman said.

Chief engineer Chris Porritt adds that the project was intentionally executed before a rabid environmental lobby could make it even more difficult to produce so politically incorrect a vehicle.

“We wanted to give our best shot at delivering the most exclusive, the most exciting and highest performance Aston Martin we could ever build,” Porritt said.

Yet, any Aston Martin exec — including CEO Dr. Ulrich Bez — will agree that the One-77 is hardly the quickest, fastest or best-handling supercar, despite the haunting exhaust note of its 750-horsepower V12 or its top speed north of of 220 mph.

On the other hand, it may just be the most gorgeous.

Above: Clamps hold an interior component together as glue dries. Photo: Basem Wasef

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Above: A painted body and chassis setup awaits assembly. Photo: Basem Wasef

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The One-77 runs 1,120,000 British pounds (around $1,750,000, depending on exchange rates), more than triple the cost of the next most expensive Aston, the V12 Zagato. To get an idea of where the range-topper sits on the Aston Martin pyramid, not only is it twice as rare as the already unattainable Zagato, it’s also innumerably more exotic in both concept and execution.

The One-77 features the most powerful normally aspirated production engine in the world, a one-off interior that looks like it was plucked from a concept sketch and a seemingly endless array of personalized elements. A palette of unusual finishes and features like a laser-etched leather headliner are available, and the experience culminates with an engineer who flies to the customer’s favorite track or stretch of road in order to calibrate the car’s suspension to the owner’s personal taste.

The car is so exclusive, so luxurious, that the only way to increase its sticker price is to order interior surfaces finished in real gold or ruthenium, a rare metal in the platinum family that’s popular at the moment in the world of high-end wristwatches.

Above: Aston Martin workers will assume almost any position to access hard-to-reach areas during the assembly process. Photo: Basem Wasef

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Above: Each One-77 seat is built to customer specification. Everything from stitch patterns to hide textures can be customized by the buyer. Photo: Nick Dimbleby

To continue the article click here to go to Wired Magazine
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Wow, this is like a recap of my first year at the Columbus College of Art & Design. Our frist year or two was called the foundations year and we had entire classes on subjects such as type, colour, 3D form, 2D design, and more. No matter if you were going into Industrial Design, such as myself, or Fine Art we all learned the Fundamentals of Design. This video is exactly what I go through when I work on a project. I have learned that as a designer you need to rationalize and justify your decisions to other none designers and your reasoning has to be more than, “Well I am using basic design principles”. I believe in the business world the key to something getting made well is in explaining to others these fundamental principles and making them understand why they are so important. - Alexander Kwapis
The Fundamental Elements of Design

“In designing the identity we wanted to find a logo that was both aspirational and true to the heart of the country; the use of a percolating image encapsulates the energy and optimism that draws people to the United States.”— WALLY KRANTZ, THE BRAND UNION

“In designing the identity we wanted to find a logo that was both aspirational and true to the heart of the country; the use of a percolating image encapsulates the energy and optimism that draws people to the United States.”
— WALLY KRANTZ, THE BRAND UNION